âŠvocalized sounds of his trumpeter, Bubber Miley (who used a plunger [âwa-waâ] mute); and the sonorities of the distinctive trombonist Joe (âTricky Samâ) Nanton (who played muted âgrowlâ sounds) all influenced Ellingtonâs early âjungle style,â as seen in such masterpieces as âEast St. Louis Toodle-ooâ (1926) and âBlack and TanâŠ
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