- Born:
- June 16, 1927, JoĂŁo Pessoa, Brazil
- Died:
- July 23, 2014, Recife, Brazil (aged 87)
- Subjects Of Study:
- aesthetics
Ariano Suassuna
Ariano Suassuna (born June 16, 1927, JoĂŁo Pessoa, Brazilâdied July 23, 2014, Recife, Brazil) was a Brazilian dramatist and fiction writer, the prime mover in the Movimento Armorial (âArmorial Movementâ) in northeastern Brazil, an intellectual and folkloric group devoted to the discovery and re-creation of the historic roots of Luso-Brazilian culture in that region.
A professor of aesthetics and theory of the theatre, Suassuna became involved in both the craft of writing plays and the administration of theatrical groups. He was a founder of the Student Theatre at the Federal University of Pernambuco and was appointed director of the centre of cultural education there.
Suassuna rehabilitated the medieval Iberian auto (morality or mystery play) as a viable theatrical form for use on the 20th-century stage in such works as Auto da Compadecida (published 1957; âPlay of Our Lady of Mercyâ; English translation The Roguesâ Trial), Auto de JoĂŁo da Cruz (1950; âPlay of John of the Crossâ), and others. He drew on the tradition established by Gil Vicente in 16th-century Portugal for many of his plays, including Uma mulher vestida de sol (1947; âA Woman Dressed in Sunshineâ), Cantam as harpas de SiĂŁo (1948; âThe Harps of Zion Singâ), and Farça da boa preguiça (1960; âFarce of Good Lazinessâ). His O santo e a porca (1957; âThe Saint and the Sowâ) is a reworking of Roman writer Plautusâs Aulularia. He also borrowed elements of puppet theatre in plays such as A pena e a lei (1959; âThe Punishment and the Lawâ) and drew widely on northeastern Brazilâs popular poetry and musical forms in the creation of a kind of âcircus theatre.â
Suassuna published one novel, following tenets of the Movimento Armorial, Romance dâa Pedra do reino e o prĂncipe do sangue do vai-e-volta (1971; âRomance of the Stone of the Kingdom and the Prince of Coming-and-Going Bloodâ), which incorporates elements of Portuguese traditions, still extant in northeastern Brazil, surrounding the belief that King Sebastian of Portugal would return to save his country from Spanish rule.