Ari Aster

Ari Aster (born July 15, 1986, New York City, New York, U.S.) is an American film director and screenwriter known for combining wrenching psychological drama with darkly humorous horror spectacle. He established his distinctive creative voice in a series of short films before reaching—and shocking—wider audiences with his feature-length debut, Hereditary (2018), followed a year later by Midsommar (2019).

Early life and education

Aster was born into a creative Jewish family in New York City. His mother, Bobbi Lurie, is a visual artist who later became a poet, and his father is a jazz drummer. He has one younger brother. Aster became enthralled by movies as a child and was especially encouraged in his interest by his mother, with whom he often went to see movies. From an early age he was drawn to horror movies as well as more mainstream films that include unsettling, supernatural elements, such as Roman Polanski’s Rosemary’s Baby (1968) and Nicolas Roeg’s Don’t Look Now (1973). When he was still young he and his family moved to Chester, in northwestern England, where his father opened a jazz club. They returned to the United States when Aster was 10 years old, settling in Albuquerque, New Mexico.

As a teen, he dreamed of becoming a filmmaker, but, unlike directors such as Steven Spielberg and Paul Thomas Anderson, who in their teenage years enlisted friends to participate in making experimental films, the shy Aster settled for writing scripts by himself. After graduating high school, he attended the College of Santa Fe. There he received a B.A. in film (2008) and wrote film reviews for the Weekly Alibi, a local arts magazine, in his spare time. He later earned a fellowship to attend the American Film Institute (AFI) Conservatory’s graduate directing program in Los Angeles.

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During his time at the AFI Conservatory, Aster acquired the skills and confidence to bring his scripts to life as a director. His first listed directing credit is the 12-minute student film, Herman’s Cure-All Tonic (2008). In 2010 he earned an M.F.A. degree. His thesis film was a disturbing short film entitled The Strange Thing About the Johnsons (2011), about a son who sexually abuses his father.

Short films

Aster slowly honed his craft and built a reputation in movie circles by writing and directing short films and submitting them to film festivals. In 2011 he released the two-minute mock-advertisement TDF Really Works and Beau, an early version of an idea later realized in the feature Beau Is Afraid (2023). His fascination with the macabre and fraught family dynamics continued with his silent short horror film Munchausen (2013), which featured Bonnie Bedelia as a mother who prevents her son from leaving home for college. He cast Rachel Brosnahan in Basically (2014), a humorous monologue-driven short. Aster then released the darkly comic shorts The Turtle’s Head (2014) and C’est La Vie (2016) before venturing into longer projects.

Hollywood breakout: Hereditary and Midsommar

In 2018 Aster made a splash with his debut feature, Hereditary, a deeply unnerving psychological thriller about a family unraveling after a death. The film featured a bravura leading performance by Toni Collette as a grieving mother and was praised in The New York Times as a “visually ambitious and ruthlessly disturbing supernatural story that is also an intricate meditation on mourning.” With the release of Hereditary, critics began grouping Aster with other young directors, including Jordan Peele (Get Out [2017]) and Jennifer Kent (The Babadook [2014]), whose films effectively wedded horror’s shock value with artistically ambitious dramatic themes.

Following shortly on the heels of his triumphant debut, in 2019 Aster released Midsommar, a provocative horror movie about a group of Americans who visit an eerie rural community in Hälsingland, Sweden. Aster (very) loosely based the story on the Scandinavian festival of Midsummer and research he did about semi-mythical Viking and Germanic rituals, such as the blood eagle execution method. Midsommar was praised for its meticulous sets and costumes and, like Hereditary, for thrilling audiences with shocking, violent sequences and featuring a strong female lead performance, in this case by Florence Pugh.

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Beau Is Afraid, Eddington, and production company

In 2023 Aster released his third feature, Beau Is Afraid, a sprawling, nearly three-hour dark comedy starring Joaquin Phoenix as an anxious middle-aged man trying to return home after his mother’s death. Some critics admired the film’s ambition and elaborate, dreamlike sequences, but overall it received a tepid response. Aster, who variously described Beau Is Afraid as a “Freudian Odyssey” and a “Jewish Lord of the Rings,” acknowledged that he had made a difficult, hard-to-classify movie but still expressed disappointment in its reception.

Two year later Aster directed Eddington, a modern western starring Phoenix as a New Mexico sheriff who mounts a campaign for mayor of a small town, challenging the incumbent (Pedro Pascal). Set during the summer of 2020, the film’s narrative takes place amid the conflicts brought about by the COVID-19 pandemic and the Black Lives Matter protests that broke out after the killing of George Floyd. Aster also packed in references to numerous other hot-button issues, including sexual abuse, the construction of data centers for artificial intelligence, and antifa.

In 2019 Aster and Lars Knudsen founded a production company called Square Peg. In 2021 it was announced that Square Peg had signed a two-year first-look television deal with A24, the entertainment company that has released all of Aster’s films. Square Peg’s releases include Beau Is Afraid, Eddington, and Yorgos Lanthimos’s Bugonia (2025).