André van Hasselt

André van Hasselt (born Jan. 5, 1806, Maastricht, Neth.—died Dec. 1, 1874, Brussels, Belg.) was a Romantic poet whose career influenced the “Young Belgium” writers’ efforts to establish an identifiable French-Belgian literature in the late-19th century.

Van Hasselt obtained Belgian nationality in 1833 and settled in Brussels, where he was employed at the Bourgogne Library before becoming an inspector of schools. He knew Victor Hugo, Alexandre Dumas père, and other French Romantic writers but was also influenced by the German lyric poets. Although it was awkwardly written, van Hasselt’s first book of poems, Primevères (1834; “Primroses”), was the first important collection in the history of modern Belgium. His poetry continued to display the influence of Hugo and of the German tradition. Van Hasselt’s most innovative work was the Études rhythmiques (published in Poëmes, paraboles, odes, et études rhythmiques, 1862), a collection of some 120 poems in which he attempted to create a Romantic formalism in French verse by applying principles of Germanic prosody.

Van Hasselt worked for almost 20 years on his epic masterpiece, Les Quatre incarnations du Christ (first published in its entirety in 1867; “The Four Incarnations of Christ”), in which he presents great historical events as steps toward a final establishment of Christ’s kingdom on earth. Though meticulously researched and highly refined in form, van Hasselt’s poem inevitably suffered from comparison with the Légende des siècles by his hero, Hugo.

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