ā¦Land of Plenty (1934), and Albert Halperās Union Square (1933), The Foundry (1934), and The Chute (1937), as well as some grim evocations of the drifters and ābottom dogsā of the Depression era, such as Edward Andersonās Hungry Men and Tom Kromerās Waiting for Nothing (both 1935). The radical movement,ā¦
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