underglaze blue
Quick Summary
Underglaze blue is a decorative technique used on pottery, particularly porcelain, where blue pigment is applied to the ceramic body before it is covered with a transparent glaze and fired. This method was used in the Middle East as early as the 9th century and was introduced to China during the Yuan dynasty (1279–1368).1
Chinese blue-and-white wares, especially those from the Ming (1368–1644) and Qing (1644–1911) dynasties, are highly notable. The technique later spread to Europe. Cobalt blue is a stable color that performs well under high-temperature firings, making it ideal for underglaze decoration on porcelain.12
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potteryPorcelain…painted wares were decorated in underglaze blue with typically Baroque patterns, including the lambrequins introduced at Rouen. Motifs derived from the designs of Jean Bérain are also to be seen. Polychrome specimens, some of which were decorated in the style of Kakiemon, (see below Japan: Edo period), date from about…
Read More…painted wares were decorated in underglaze blue with typically Baroque patterns, including the lambrequins introduced at Rouen. Motifs derived from the designs of Jean Bérain are also to be seen. Polychrome specimens, some of which were decorated in the style of Kakiemon, (see below Japan: Edo period), date from about…
Read More- potteryMing dynasty (1368–1644)
…is that painted in blue underglaze. Much of the pigment used was imported from Middle Eastern sources. Supplies of this so called Mohammedan blue (huihui qing), which came from the Kashān district of Persia, were not always obtainable and were interrupted on more than one occasion. The quality of the…
Read More…is that painted in blue underglaze. Much of the pigment used was imported from Middle Eastern sources. Supplies of this so called Mohammedan blue (huihui qing), which came from the Kashān district of Persia, were not always obtainable and were interrupted on more than one occasion. The quality of the…
Read More - potteryEdo period (1603–1867)
…decorated in miniature style with underglaze blue. Kyōto imitated Song celadons and the Ming green and red wares. Seto made no porcelain until about 1807; the first production was decorated in underglaze blue (sometsuke). Overglaze colours date from about 1835.
Read More…decorated in miniature style with underglaze blue. Kyōto imitated Song celadons and the Ming green and red wares. Seto made no porcelain until about 1807; the first production was decorated in underglaze blue (sometsuke). Overglaze colours date from about 1835.
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