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The term "tanam" in South Asian music, particularly in India, Bangladesh, and Pakistan, refers to an improvised section within a musical performance. It is characterized by the use of meaningless words to produce more or less regular rhythms, but without strict adherence to a fixed time measure. Tanam is typically performed without drum accompaniment and is part of longer, mostly improvised items like the ragam-tanam-pallavi in South Indian classical music.1

This section is intended to display the melodic framework, known as the raga, in a comprehensive manner. While it establishes rhythmic patterns, it does not follow the precise metric cycles of tala, which provide the undeviating framework for rhythmic improvisation in Indian music.21

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2 Britannica Sources
  1. tala
  2. South Asian arts - South India

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