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The term "suppon" refers to a trapdoor in Japanese Kabuki theatre, used for the sudden appearance of actors, often portraying ghosts or supernatural beings. This trapdoor is named "suppon" because the actor's head emerges from it in a manner resembling a turtle emerging from its shell.1

Kabuki theatre itself is a traditional Japanese dramatic art form known for its stylized performances, elaborate costumes, and unique stagecraft. A key feature of Kabuki stages is the hanamichi, or "flower passage," a runway extending from the back of the theatre into the audience, used for dramatic entrances, exits, and to foster a connection between actors and spectators.1

Noh theatre, another ancient Japanese theatrical form, differs from Kabuki. Noh performers are storytellers who use movement and visual elements to suggest the essence of a tale rather than enacting it directly. Noh plays are often symbolic and allude to Japanese cultural history, with educated audiences appreciating the subtle meanings rather than a fast-paced plot.2

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2 Britannica Sources
  1. Noh theatre
  2. hanamichi

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