stile moderno
Quick Summary
The stile moderno was an innovative musical style that emerged in 17th-century Europe, particularly in Italy. It is characterized by a new theatrical approach to composition, contrasting with the older stile antico. Key features of stile moderno include the use of monody, a declamatory or recitative style of singing that emphasizes the text, and a greater freedom in the treatment of dissonance. This style was a significant turning point in music history, contributing to the development of opera and a broader musical vocabulary. It also saw the gradual replacement of medieval modes with the system of tonality that would dominate Western music for centuries.123
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- Baroque music
…for sacred music, while the stile moderno, or nuove musiche—with its emphasis on solo voice, polarity of the melody and the bass line, and interest in expressive harmony—developed for secular usage. The expanded vocabulary allowed for a clearer distinction between sacred and secular music as well as between vocal and…
Read More…for sacred music, while the stile moderno, or nuove musiche—with its emphasis on solo voice, polarity of the melody and the bass line, and interest in expressive harmony—developed for secular usage. The expanded vocabulary allowed for a clearer distinction between sacred and secular music as well as between vocal and…
Read More - Western musicThe Baroque era
…other, called seconda prattica, or stile moderno, referred to the new theatrical style emanating from Italy.
Read More…other, called seconda prattica, or stile moderno, referred to the new theatrical style emanating from Italy.
Read More - sonataEarly development in Italy
…had shifted emphasis from the equal-voiced polyphony of the Renaissance and placed it instead on the concept of monody, or solo lines with subordinate accompaniments. The comparatively static influence of the old church modes was superseded by the more dramatic organizing principle of the major–minor key system with its use…
Read More…had shifted emphasis from the equal-voiced polyphony of the Renaissance and placed it instead on the concept of monody, or solo lines with subordinate accompaniments. The comparatively static influence of the old church modes was superseded by the more dramatic organizing principle of the major–minor key system with its use…
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wind instrumentThe Baroque and Classical periods…referred to the style as seconda prattica and within his lifetime developed it into a much finer medium than the experimental style he inherited.
Read More…referred to the style as seconda prattica and within his lifetime developed it into a much finer medium than the experimental style he inherited.
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