stile antico
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The term stile antico refers to the standard polyphonic style of 16th-century church music, which continued to be employed in the 17th century. This style is also known as prima prattica. It contrasts with stile moderno (seconda prattica), the new theatrical style that emerged from Italy in the 17th century, characterized by innovations like monody and basso continuo. While stile antico was defended by composers for its purity in sacred texts, stile moderno represented a significant shift in musical composition, expanding the musical vocabulary and evolving tonal organization.1234
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- Western musicThe Baroque era
One, the prima prattica (or stile antico), was the universal style of the 16th century, the culmination of two centuries of adherence to Flemish models. The other, called seconda prattica, or stile moderno, referred to the new theatrical style emanating from Italy.
Read MoreOne, the prima prattica (or stile antico), was the universal style of the 16th century, the culmination of two centuries of adherence to Flemish models. The other, called seconda prattica, or stile moderno, referred to the new theatrical style emanating from Italy.
Read More - Baroque music
While the stile antico, the universal polyphonic style of the 16th century, continued, it was henceforth reserved for sacred music, while the stile moderno, or nuove musiche—with its emphasis on solo voice, polarity of the melody and the bass line, and interest in expressive harmony—developed for secular…
Read MoreWhile the stile antico, the universal polyphonic style of the 16th century, continued, it was henceforth reserved for sacred music, while the stile moderno, or nuove musiche—with its emphasis on solo voice, polarity of the melody and the bass line, and interest in expressive harmony—developed for secular…
Read More