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The polyphonic chanson is a French art song that emerged during the Middle Ages and flourished in the Renaissance. Unlike earlier monophonic chansons, which featured a single melody, polyphonic chansons are characterized by multiple independent melodic lines sung simultaneously.1

These songs often adhered to fixed poetic forms like the ballade, rondeau, or virelai. The subject matter frequently revolved around courtly love. Composers like Josquin des Prez and Orlando di Lasso were prominent figures in the development of the polyphonic chanson, with styles evolving to include four or more voices singing the same text, sometimes with melodic imitation or in a homophonic (chordal) style. By the end of the 16th century, the chanson began to be influenced by Italian madrigals and gave way to new song forms.123

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