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The term "mela" in Indian music refers to a theoretical system for classifying ragas (melodic frameworks) in South Indian classical music. This system, known as the 72-mela system, serves as the basis for organizing and composing new ragas. While mela is a theoretical device, ragas themselves have scalar elements, melodic fragments, and specific emphasis on certain notes that distinguish them.1

In contrast, "mela" can also refer to an Indian religious festival or fair. It is important to distinguish between these two meanings, as the musical term relates to a systematic classification within Indian classical music, while the other refers to a gathering of people.21

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