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gufa yongbi
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gufa yongbi

Chinese aesthetics
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The term gufa yongbi is one of Xie He's six principles of Chinese painting, which are fundamental to Chinese aesthetic theory. Gufa yongbi translates to "structural method in use of the brush" and refers to the power and tension of the brushstroke in both painting and calligraphy, through which vital spirit is expressed. This principle emphasizes the importance of the brushstroke's structural quality in conveying the essence of the subject.1

Chinese art, in general, is characterized by its linearity, with calligraphy being considered supreme among the visual arts. Painting in China is essentially a linear art, focusing on the expressive quality of the brush stroke and the harmonious rhythm of the composition rather than realistic representation or three-dimensional mass. This emphasis on line and rhythm influences other Chinese art forms, contributing to their harmony and unity.2

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2 Britannica Sources
  1. Chinese art
  2. Chinese painting - Three Kingdoms (220–280) and Six Dynasties (220–589)

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