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The film-stencil method is a technique in printmaking where a design is cut into a thin sheet of colored lacquer, which is then laminated to glassine paper. This stencil is then fixed to the underside of a screen. The glassine paper is removed, leaving the design on the screen, ready for printing. This method allows for precise designs and is a variation of stenciling, a simple duplication process known since at least the 8th century in China.12

The broader category of stenciling involves passing ink or paint over holes cut in a material like cardboard or metal onto a surface. A more refined version, pochoir, uses stencils for limited editions of prints. In the 20th century, artists like Roy Lichtenstein and Henri Matisse utilized stencil techniques in their work. The silk screen process, a sophisticated form of stenciling, uses a fine mesh screen instead of paper for the stencil.132

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