Encyclopedia Britannica
Encyclopedia Britannica
SUBSCRIBE
SUBSCRIBE
SUBSCRIBE TO PREMIUM
  • Home
  • Biographies
  • Animals & Nature
  • History & Society
  • Science & Tech
  • Geography & Travel
  • Arts & Culture
  • ProCon
  • Money
  • Games & Quizzes
  • Videos
  • Today in History
  • Dictionary
  • New Articles
Biographies
  • Browse Biographies
Animals & Nature
  • Birds, Reptiles & Other Vertebrates
  • Environment
  • Fossils & Geologic Time
  • Insects & Other Invertebrates
  • Mammals
  • Plants
History & Society
  • History
  • Philosophy & Religion
  • Politics, Law & Government
  • Society & Social Issues
Science & Tech
  • Health & Medicine
  • Science
  • Technology
Geography & Travel
  • Geography & Travel
Arts & Culture
  • Entertainment & Pop Culture
  • Literature
  • Sports & Recreation
  • Visual Arts
  • Image Galleries
  • Podcasts
  • Summaries
  • Top Questions
  • Lists and Stories
  • Britannica Kids
Ask the Chatbot Games & Quizzes History & Society Science & Tech Biographies Animals & Nature Geography & Travel Arts & Culture ProCon Money Videos
chace
References
Britannica AI Icon

chace

musical form
Written by
The Information Architects of Encyclopaedia Britannica

The Information Architects maintain a master list of the topics included in the corpus of  Encyclopædia Britannica, and create and manage the relationships between them.

The Information Architects of Encyclopaedia Britannica

Learn about this topic in these articles:

  • caccia

    …a 14th-century French genre, the chace, a setting of a text in three-part canon. The English catch, a 17th-century type of round, may derive its name from caccia.

    Read More

    …a 14th-century French genre, the chace, a setting of a text in three-part canon. The English catch, a 17th-century type of round, may derive its name from caccia.

    Read More
  • lai

    …using a form called the chace, a three-part canon at the unison (all voices in strict melodic imitation at the same pitch level). Machaut typically wrote lais of 12 stanzas, the last of which shared the melody and poetic form of the first; each stanza used double or quadruple versicles.

    Read More

    …using a form called the chace, a three-part canon at the unison (all voices in strict melodic imitation at the same pitch level). Machaut typically wrote lais of 12 stanzas, the last of which shared the melody and poetic form of the first; each stanza used double or quadruple versicles.

    Read More