Syn-Ket
Quick Summary
The Syn-Ket was a music synthesizer developed in the 1960s. A music synthesizer is a machine that electronically generates and modifies sounds, often using a digital computer. These instruments are used for composing electronic music and for live performances.1
Synthesizers create waveforms and alter their intensity, duration, frequency, and timbre, offering a range of sounds beyond conventional instruments. The Syn-Ket, approximately the size of an upright piano, was one of several compact synthesizers developed during the 1960s, alongside notable instruments like the Moog and Buchla synthesizers. The Syn-Ket, built by Italian engineer Paolo Ketoff in 1962, was designed for live experimental music performance and featured three small, touch-sensitive keyboards.12
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music synthesizer…after, including the Buchla and Syn-Ket, the last approximately the size of an upright piano. Most synthesizers have had piano-like keyboards, although other types of performing mechanisms have been used. The Moog III, developed by the American physicist Robert Moog, had two five-octave keyboards that controlled voltage changes (and thus…
Read More…after, including the Buchla and Syn-Ket, the last approximately the size of an upright piano. Most synthesizers have had piano-like keyboards, although other types of performing mechanisms have been used. The Moog III, developed by the American physicist Robert Moog, had two five-octave keyboards that controlled voltage changes (and thus…
Read More- electronic instrumentThe electronic music synthesizer
The Synket, built by the Italian engineer Paolo Ketoff in 1962, was designed for live performance of experimental music. It had three small, closely spaced, touch-sensitive keyboards, each of which controlled a single tone. Its foremost exponent was John Eaton, who concertized widely on his Synket…
Read MoreThe Synket, built by the Italian engineer Paolo Ketoff in 1962, was designed for live performance of experimental music. It had three small, closely spaced, touch-sensitive keyboards, each of which controlled a single tone. Its foremost exponent was John Eaton, who concertized widely on his Synket…
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