New German Cinema
Quick Summary
New German Cinema, also known as Das Neue Kino, emerged in West Germany in the 1960s as a response to the decline of the country's film industry. A manifesto drafted at the Oberhausen film festival in 1962 proclaimed the "death of German cinema" and called for a "young German cinema." This movement was supported by government funding agencies and independent distributors, enabling a new generation of filmmakers to explore Germany's "unassimilated past".1
Key figures of this movement include Rainer Werner Fassbinder, Werner Herzog, and Wim Wenders. Fassbinder was prolific, known for his melodramas that often explored themes of oppression and despair. Herzog's films tended towards the mystical and spiritual, while Wenders focused on themes of alienation and rootlessness in modern society. Although influential, much of New German Cinema did not find a large audience outside of West Germany, with many German directors achieving greater success in Hollywood.12
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