Kinemacolor
Quick Summary
Kinemacolor was an early additive color motion picture process introduced around 1906. It aimed to create color films by using a single black-and-white film strip. This film was photographed and projected at 32 frames per second, twice the normal silent film speed, and passed through a rotating color filter. The process reduced the three primary color records to two: red-orange and blue-green, which occupied alternate frames. The human eye's retention characteristic was meant to integrate these frames into a color image. However, Kinemacolor faced limitations, including visible displacement during rapid movement, leading to color fringing. Additive color systems like Kinemacolor generally proved too complex and costly for widespread adoption due to the need for special cameras and projectors.12
Ask Britannica AI about this topic
Britannica doesn't have a full article on this topic, so we've curated a list of our relevant coverage.
History of filmEdison and the Lumière brothers…successful photographic color process (Kinemacolor, c. 1906–08, with Charles Urban), while Williamson experimented with parallel editing as early as 1900 (Attack on a Chinese Mission Station) and became a pioneer of the chase film (Stop Thief!, 1901; Fire!, 1901). Both Smith and Williamson had built studios at Brighton by…
Read More…successful photographic color process (Kinemacolor, c. 1906–08, with Charles Urban), while Williamson experimented with parallel editing as early as 1900 (Attack on a Chinese Mission Station) and became a pioneer of the chase film (Stop Thief!, 1901; Fire!, 1901). Both Smith and Williamson had built studios at Brighton by…
Read More
motion-picture technologyIntroduction of color…the early additive processes was Kinemacolor (1906), which, for manageability, reduced the three color records to two: red-orange and blue-green. A single black-and-white film was photographed and projected at 32 frames per second (twice the normal silent speed) through a rotating color filter. The two color records occupied alternate frames…
Read More…the early additive processes was Kinemacolor (1906), which, for manageability, reduced the three color records to two: red-orange and blue-green. A single black-and-white film was photographed and projected at 32 frames per second (twice the normal silent speed) through a rotating color filter. The two color records occupied alternate frames…
Read More