Observe the tunic worn by actor Edwin Booth, embellished with the royal arms of Richard III, for the role of Shakespeare's Richard III
A look at a tunic worn by the 19th-century actor Edwin Booth in the role of Shakespeare's Richard III. The tunic is emblazoned with the arms of the historical king Richard III.
Courtesy of Folger Shakespeare Library; CC-BY-SA 4.0 (A Britannica Publishing Partner)
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Transcript
SPEAKER: This tunic was worn on stage by Edwin Booth, arguably the greatest stage actor the United States has ever seen. In keeping with the late 19th century's interest in both historical accuracy and pictorial representation, Booth followed reference works to ensure the authenticity of his costumes.
This tunic-- it incorporates the royal coat of arms of Richard the III. That is, the three gold British lions on a red background, quartered with three gold French fleur-de-lis on a blue background. Those made up the central shield of Richard's coat of arms. Absent here are the two wild boars that stood on either side of the shield.
This tunic, you'll see, also includes the traditional padding on the shoulder to indicate Richard's physical deformity. However, Booth didn't play the character as a kind of gleeful villain, like his predecessors. Booth played Richard as a monarch, conscious of his own treachery, apprehensive of divine punishment, and therefore, capable of redemption.
This tunic-- it incorporates the royal coat of arms of Richard the III. That is, the three gold British lions on a red background, quartered with three gold French fleur-de-lis on a blue background. Those made up the central shield of Richard's coat of arms. Absent here are the two wild boars that stood on either side of the shield.
This tunic, you'll see, also includes the traditional padding on the shoulder to indicate Richard's physical deformity. However, Booth didn't play the character as a kind of gleeful villain, like his predecessors. Booth played Richard as a monarch, conscious of his own treachery, apprehensive of divine punishment, and therefore, capable of redemption.