Know about the influence of postmodernism in art, architecture, and designs
Learn about postmodernism in art, architecture, and design. According to some historians, the Modernist era in architecture came to an end with the demolition of the Pruitt-Igoe housing project, in St. Louis, Missouri, in March 1972.
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Transcript
Postmodernism began at precisely 3:00 PM, March the 16th, 1972. Modernism had failed. Or at least that's what the postmodernists believed.
Modernists had spent much of the 20th century trying to forge a better world-- inspired by science and universal truths. To them, less was more. To postmodernists less was a bore. We believed we needed as many references as possible, to determine our own individual subjective conclusions.
Art is a good way to try and explain it. Remember Picasso? He created one-off masterpieces based upon pre-determined principles of art. His creations rocked the art world. But, postmodernists weren't impressed. They believed in more than one method or style-- collage, chance, anarchy, repetition. These were infinitely more interesting.
Postmodernists wanted to challenge audiences and force them to ask questions. Postmodern buildings rallied against the blandness that had gone before. The Las Vegas strip is a great example-- a riot of styles, cultures, and whimsical collage.
Like any movement, postmodernism had its critics. Objecting to unnecessary ornamentation, and obsessive tendency to recycle the past to make something new, and often just plain silliness.
The rise of mass media really helped postmodernism take off. The world was interconnected like never before. For many, postmodernism was liberating-- giving creative expression a dynamic, often unsettling voice. Postmodernist cinema still confuses, surprises, and delights us. Postmodernist performance still bemuses. And we just can't seem to get enough of quirky postmodern art.
Politically, philosophically, creatively. The postmodern movement has proven itself a force to be reckoned with. Like a giant social cattle prod compelling society to question why things are the way they are-- and why they aren't. Planning something postmodern?
Modernists had spent much of the 20th century trying to forge a better world-- inspired by science and universal truths. To them, less was more. To postmodernists less was a bore. We believed we needed as many references as possible, to determine our own individual subjective conclusions.
Art is a good way to try and explain it. Remember Picasso? He created one-off masterpieces based upon pre-determined principles of art. His creations rocked the art world. But, postmodernists weren't impressed. They believed in more than one method or style-- collage, chance, anarchy, repetition. These were infinitely more interesting.
Postmodernists wanted to challenge audiences and force them to ask questions. Postmodern buildings rallied against the blandness that had gone before. The Las Vegas strip is a great example-- a riot of styles, cultures, and whimsical collage.
Like any movement, postmodernism had its critics. Objecting to unnecessary ornamentation, and obsessive tendency to recycle the past to make something new, and often just plain silliness.
The rise of mass media really helped postmodernism take off. The world was interconnected like never before. For many, postmodernism was liberating-- giving creative expression a dynamic, often unsettling voice. Postmodernist cinema still confuses, surprises, and delights us. Postmodernist performance still bemuses. And we just can't seem to get enough of quirky postmodern art.
Politically, philosophically, creatively. The postmodern movement has proven itself a force to be reckoned with. Like a giant social cattle prod compelling society to question why things are the way they are-- and why they aren't. Planning something postmodern?