Myth-making in Eugène Delacroix's Liberty Leading the People
The allegorical figure of Liberty is a French trope inspired by antiquity.
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Transcript
When you think of the French Revolution, you might think of this painting—Liberty Leading the People, by Eugène Delacroix.
However, did you know that this painting isn’t from the French Revolution? It’s from an uprising 40 years later: the July Revolution of 1830.
The 1830 insurrection resulted in the abdication of Charles X and the ascent of Louis-Philippe to the throne.
Inspired by the bold colors and dramatic compositions of painters like Peter Paul Rubens, Delacroix used the genre of history painting to support the revolutionaries and capture the heroism he saw in the Parisian rebels.
The monumental scale of the painting and the inclusion of an allegorical figure further mythologize its subjects.
The intense contrast and dramatically pyramidal composition fits the work within the burgeoning Romantic movement of the 19th century.
During the reign of Charles X, the French flag had been stripped of its red and blue stripes down to white, the representative color of the monarchy.
Delacroix proudly depicts the Tricolor, the French national flag, as the flag held by Liberty. Red and blue can be seen throughout the painting, from the clothing of the fallen soldiers to subtle details in the background.
The allegorical figure of Liberty, the half-nude figure who dominates the painting, is a French trope inspired by antiquity.
She is wearing a red Phrygian cap associated with the French Revolution of 1789 and a loosely tied yellow dress that evokes heroic Greek sculptures. The character of a female Liberty has a long history—from the Roman goddess Libertas to the Statue of Liberty. In France this allegorical figure is called Marianne.
Today this influential painting can be seen hanging in the Louvre. In 2024 it was restored to its original colors. It has become a symbol of French revolutionary spirit and freedom.