Our Art Editor's Favorite Sculptor
Alicja Zelazko wants you to enjoy art, not struggle with it.
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Transcript
00:00:00:00 - 00:00:00:19
Munhur—
00:00:00:23 - 00:00:01:11
Munhere—
00:00:01:16 - 00:00:02:01
Menhere—
00:00:02:05 - 00:00:04:11
Hi, I'm Alicja Zelazko,
00:00:04:11 - 00:00:05:00
and I'm
00:00:05:00 - 00:00:06:24
the arts and humanities editor
00:00:06:24 - 00:00:08:06
at Encyclopædia Britannica.
00:00:13:24 - 00:00:14:08
So today
00:00:14:08 - 00:00:15:12
we're talking about
00:00:15:12 - 00:00:16:11
Barbara Hepworth
00:00:16:11 - 00:00:17:25
who is one of my most
00:00:17:25 - 00:00:18:27
favorite artists.
00:00:18:27 - 00:00:19:16
One of my most
00:00:19:16 - 00:00:21:07
favorite pieces is in
00:00:21:07 - 00:00:22:29
the Art Institute of Chicago.
00:00:22:29 - 00:00:24:19
that one is called,
00:00:24:19 - 00:00:26:05
“Two Figures (Menhirs)”
00:00:26:08 - 00:00:26:18
Menhirs...?
00:00:26:21 - 00:00:27:19
Oh, that sound like manure,
00:00:27:22 - 00:00:29:22
“Two Figures (Menhirs)”
00:00:29:22 - 00:00:32:18
she thinks a lot about space.
00:00:32:18 - 00:00:33:18
So there’s just all these
00:00:33:18 - 00:00:35:19
aspects of negative space
00:00:35:19 - 00:00:36:23
and like layered space.
00:00:36:23 - 00:00:37:29
Something that I love
00:00:37:29 - 00:00:39:20
about this sculpture is,
00:00:39:20 - 00:00:40:27
they are standing side
00:00:40:27 - 00:00:41:26
by side.
00:00:41:26 - 00:00:42:21
they're not
00:00:42:21 - 00:00:43:28
in a straight line.
00:00:43:28 - 00:00:45:22
The left one is taller.
00:00:45:22 - 00:00:47:01
And then the one on the right
00:00:47:01 - 00:00:48:22
is slightly behind it
00:00:48:22 - 00:00:49:21
and slightly angled
00:00:49:21 - 00:00:50:11
toward it.
00:00:50:11 - 00:00:52:18
It's such a small detail,
00:00:52:18 - 00:00:53:29
you can tell
00:00:53:29 - 00:00:55:24
she deliberately made
00:00:55:24 - 00:00:56:12
that choice.
00:00:56:12 - 00:00:58:02
It's so unexpected.
00:00:58:02 - 00:01:00:00
And to me, that's,
00:01:00:00 - 00:01:00:13
that's me
00:01:00:13 - 00:01:02:26
catching the artist at work,
00:01:02:26 - 00:01:04:10
and I find that
00:01:04:10 - 00:01:05:11
really thrilling.
00:01:05:19 - 00:01:06:07
Well I always say there's
00:01:06:07 - 00:01:07:03
no one meaning,
00:01:07:03 - 00:01:07:26
there could be many,
00:01:07:26 - 00:01:08:13
many, many,
00:01:08:13 - 00:01:09:21
many, interpretations
00:01:09:21 - 00:01:10:19
of an artwork.
00:01:10:19 - 00:01:11:27
if it looks like a human form
00:01:11:27 - 00:01:13:04
to you, go with it.
00:01:13:04 - 00:01:14:17
the color stands out to you,
00:01:14:17 - 00:01:16:01
go with it. Explore that.
00:01:16:01 - 00:01:16:29
For me,
00:01:16:29 - 00:01:17:23
like, Barbara
00:01:17:23 - 00:01:19:02
Hepworth’s sculptures,
00:01:19:02 - 00:01:19:24
they just bring me
00:01:19:24 - 00:01:20:22
a lot of pleasure
00:01:20:22 - 00:01:22:09
and that's okay.
00:01:22:09 - 00:01:22:16
Like it
00:01:22:16 - 00:01:24:05
doesn't have to be anything
00:01:24:05 - 00:01:25:06
incredibly deep.
00:01:25:06 - 00:01:26:00
I think that there's
00:01:26:00 - 00:01:27:15
a lot of value in
00:01:27:15 - 00:01:28:24
just enjoying something.
Munhur—
00:00:00:23 - 00:00:01:11
Munhere—
00:00:01:16 - 00:00:02:01
Menhere—
00:00:02:05 - 00:00:04:11
Hi, I'm Alicja Zelazko,
00:00:04:11 - 00:00:05:00
and I'm
00:00:05:00 - 00:00:06:24
the arts and humanities editor
00:00:06:24 - 00:00:08:06
at Encyclopædia Britannica.
00:00:13:24 - 00:00:14:08
So today
00:00:14:08 - 00:00:15:12
we're talking about
00:00:15:12 - 00:00:16:11
Barbara Hepworth
00:00:16:11 - 00:00:17:25
who is one of my most
00:00:17:25 - 00:00:18:27
favorite artists.
00:00:18:27 - 00:00:19:16
One of my most
00:00:19:16 - 00:00:21:07
favorite pieces is in
00:00:21:07 - 00:00:22:29
the Art Institute of Chicago.
00:00:22:29 - 00:00:24:19
that one is called,
00:00:24:19 - 00:00:26:05
“Two Figures (Menhirs)”
00:00:26:08 - 00:00:26:18
Menhirs...?
00:00:26:21 - 00:00:27:19
Oh, that sound like manure,
00:00:27:22 - 00:00:29:22
“Two Figures (Menhirs)”
00:00:29:22 - 00:00:32:18
she thinks a lot about space.
00:00:32:18 - 00:00:33:18
So there’s just all these
00:00:33:18 - 00:00:35:19
aspects of negative space
00:00:35:19 - 00:00:36:23
and like layered space.
00:00:36:23 - 00:00:37:29
Something that I love
00:00:37:29 - 00:00:39:20
about this sculpture is,
00:00:39:20 - 00:00:40:27
they are standing side
00:00:40:27 - 00:00:41:26
by side.
00:00:41:26 - 00:00:42:21
they're not
00:00:42:21 - 00:00:43:28
in a straight line.
00:00:43:28 - 00:00:45:22
The left one is taller.
00:00:45:22 - 00:00:47:01
And then the one on the right
00:00:47:01 - 00:00:48:22
is slightly behind it
00:00:48:22 - 00:00:49:21
and slightly angled
00:00:49:21 - 00:00:50:11
toward it.
00:00:50:11 - 00:00:52:18
It's such a small detail,
00:00:52:18 - 00:00:53:29
you can tell
00:00:53:29 - 00:00:55:24
she deliberately made
00:00:55:24 - 00:00:56:12
that choice.
00:00:56:12 - 00:00:58:02
It's so unexpected.
00:00:58:02 - 00:01:00:00
And to me, that's,
00:01:00:00 - 00:01:00:13
that's me
00:01:00:13 - 00:01:02:26
catching the artist at work,
00:01:02:26 - 00:01:04:10
and I find that
00:01:04:10 - 00:01:05:11
really thrilling.
00:01:05:19 - 00:01:06:07
Well I always say there's
00:01:06:07 - 00:01:07:03
no one meaning,
00:01:07:03 - 00:01:07:26
there could be many,
00:01:07:26 - 00:01:08:13
many, many,
00:01:08:13 - 00:01:09:21
many, interpretations
00:01:09:21 - 00:01:10:19
of an artwork.
00:01:10:19 - 00:01:11:27
if it looks like a human form
00:01:11:27 - 00:01:13:04
to you, go with it.
00:01:13:04 - 00:01:14:17
the color stands out to you,
00:01:14:17 - 00:01:16:01
go with it. Explore that.
00:01:16:01 - 00:01:16:29
For me,
00:01:16:29 - 00:01:17:23
like, Barbara
00:01:17:23 - 00:01:19:02
Hepworth’s sculptures,
00:01:19:02 - 00:01:19:24
they just bring me
00:01:19:24 - 00:01:20:22
a lot of pleasure
00:01:20:22 - 00:01:22:09
and that's okay.
00:01:22:09 - 00:01:22:16
Like it
00:01:22:16 - 00:01:24:05
doesn't have to be anything
00:01:24:05 - 00:01:25:06
incredibly deep.
00:01:25:06 - 00:01:26:00
I think that there's
00:01:26:00 - 00:01:27:15
a lot of value in
00:01:27:15 - 00:01:28:24
just enjoying something.