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Top Questions

What is the Great American Songbook?

Which composers and lyricists are part of the Great American Songbook?

What characteristics do songs in the Great American Songbook share?

Who are some notable performers of songs of the Great American Songbook?

How did the Great American Songbook evolve in the late 20th and early 21st centuries?

The Great American Songbook, term given to a canon of American popular songs and enduring jazz standards written mainly during the first half of the 20th century. The Songbook is not a physical book, nor is there one definitive list of songs, songwriters, and performers included in its “pages.” Rather, it is a loosely defined canon of influential songs written by professional songwriters, including those in vaudeville and the Tin Pan Alley songwriting industry, largely for Broadway shows, other types of musical theater, and Hollywood musicals. The bulk of the songs were written during an especially fruitful period of American songwriting, between 1920 and 1960. The songs considered to be part of the canon have been performed and enjoyed by generation after generation, long after they were first written. Among the Songbook’s gatekeepers are the Great American Songbook Foundation and the American Songbook Preservation Society.

Songs of a “timeless” quality

It is difficult to predict which songs will eventually become part of the Songbook, since only time will tell. However, the songs that are considered to be part of the canon have several characteristics in common. The structure of the songs invites performers to interpret and reinterpret them with different tempos and moods. The songs have a “timeless” quality, a resonance that inspires listeners to respond to them, and they refer to universal emotions and situations. Many of the Songbook songs are about love or heartbreak, such as songwriter Ray Noble’s “The Very Thought of You” and songwriter Arthur Hamilton’s “Cry Me a River.” Others evoke nostalgia, joy, celebration, optimism in hard times, and a multitude of other human experiences and stories.

Classic composers, lyricists, singers, and musicians of the Songbook

Among the important composers and lyricists whose work is included in the Great American Songbook are Duke Ellington, Jerome Kern, Harold Arlen, Johnny Mercer, Dorothy Fields, Hoagy Carmichael, Fats Waller, and Stephen Sondheim. Some composers—such as Irving Berlin, Cole Porter, and NoĂ«l Coward—wrote both music and lyrics. Others worked in teams, one person writing music and one writing lyrics. George and Ira Gershwin, Richard Rodgers and Lorenz Hart, and Rodgers and Oscar Hammerstein II are three such famous partnerships.

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Because of the enduring popularity of Songbook songs, any list of the singers and musicians who brought them to life is bound to be incomplete. Among the luminaries who have enlivened the Songbook are Ella Fitzgerald—considered one of the greatest interpreters of the Songbook—as well as Fred Astaire, Rosemary Clooney, Nat King Cole, Sammy Davis, Jr., Judy Garland, Billie Holiday, Lena Horne, Dean Martin, Frank Sinatra, Mel TormĂ©, Andy Williams, Bing Crosby, Doris Day, Peggy Lee, Johnny Mathis, Al Jolson, Margaret Whiting, Louis Armstrong, Dinah Washington, Sam Cooke, Sarah Vaughan, and Nina Simone. Musicians have created dazzling instrumental versions of some of the songs, including John Coltrane’s interpretation of Rodgers and Hammerstein’s “My Favorite Things” and Thelonious Monk’s adaptation of Irving Caesar and Vincent Youmans’s “Tea for Two.”

New interpretations and song contributions

During the 1970s, interest in the Great American Songbook began to return, starting with former Beatle Ringo Starr’s 1970 album Sentimental Journey. In 1972 Carmen McRae released The Great American Songbook, and country music singer-songwriter Willie Nelson put his spin on the standards with the 1978 album Stardust. Five years later Linda Ronstadt released the first of her Songbook albums, What’s New.

In the 21st century, enthusiasm for the Songbook has grown. Joni Mitchell, Carly Simon, Rufus Wainwright, Bob Dylan, Paul McCartney, and Lady Gaga (dueting with Tony Bennett) are just a few of the artists who have reinterpreted the standards. Several contemporary artists have built their careers on reinterpreting the Songbook, including Harry Connick, Jr., Diana Krall, and Michael Bublé.

There is no scholarly consensus on when the period of the Great American Songbook begins and ends. Some enthusiasts argue that the period ended in 1950, while others claim that it ended when rock and roll began to gain popularity during the late 1950s and early 1960s. Still other observers contend that songs that belong in the Songbook canon have been written in every decade since the 1960s and are still being written today. Like the older songs, these newer songs have structures that invite reinterpretation, but they also have a more contemporary feel. Songwriters who are mentioned for inclusion in this new stage of the Songbook include two partnerships: composer Burt Bacharach and lyricist Hal David and lyricist Jerry Leiber and composer Mike Stoller. Other “New Songbook” songwriters and performers mentioned for inclusion are Michael Feinstein, Carole King, Paul Simon, Joni Mitchell, Kris Kristofferson, Barry Manilow, and Billy Joel.

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Enduring hits of the Great American Songbook

Among the best-known songs of the Songbook are the following.

  • “Over the Rainbow” by Harold Arlen
  • “Blue Moon” by Richard Rodgers and Lorenz Hart
  • “Ain’t Misbehavin’” by Fats Waller
  • “As Time Goes By” by Herman Hupfeld
  • “Summertime” by George Gershwin
  • “Mood Indigo” by Duke Ellington
  • “The Way You Look Tonight” by Dorothy Fields and Jimmy McHugh
  • “Someone to Watch Over Me” by George and Ira Gershwin
  • “White Christmas” by Irving Berlin
  • “All of Me” by Gerald Marks and Seymour Simons
  • “Fever” by Eddie Cooley and Otis Blackwell
  • “I Left My Heart in San Francisco” by George Cory and Douglass Cross
  • “Misty” by Erroll Garner
  • “Route 66” by Bobby Troup
  • “Sentimental Journey” by Les Brown ad Ben Homer
  • “That Old Black Magic” by Johnny Mercer and Harold Arlen
  • “Unforgettable” by Irving Gordon
  • “What a Wonderful World” by Bob Thiele and George David Weiss
  • “Puttin’ on the Ritz” by Irving Berlin
  • “Stormy Weather” by Harold Arlen and Ted Koehler
  • “Begin the Beguine” by Cole Porter
  • “My Funny Valentine” by Richard Rodgers and Lorenz Hart
  • “Georgia on My Mind” by Hoagy Carmichael and Stuart Gorrell
  • “Send in the Clowns” by Stephen Sondheim