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The Great American Songbook
What is the Great American Songbook?
Which composers and lyricists are part of the Great American Songbook?
What characteristics do songs in the Great American Songbook share?
Who are some notable performers of songs of the Great American Songbook?
How did the Great American Songbook evolve in the late 20th and early 21st centuries?
The Great American Songbook, term given to a canon of American popular songs and enduring jazz standards written mainly during the first half of the 20th century. The Songbook is not a physical book, nor is there one definitive list of songs, songwriters, and performers included in its âpages.â Rather, it is a loosely defined canon of influential songs written by professional songwriters, including those in vaudeville and the Tin Pan Alley songwriting industry, largely for Broadway shows, other types of musical theater, and Hollywood musicals. The bulk of the songs were written during an especially fruitful period of American songwriting, between 1920 and 1960. The songs considered to be part of the canon have been performed and enjoyed by generation after generation, long after they were first written. Among the Songbookâs gatekeepers are the Great American Songbook Foundation and the American Songbook Preservation Society.
Songs of a âtimelessâ quality
It is difficult to predict which songs will eventually become part of the Songbook, since only time will tell. However, the songs that are considered to be part of the canon have several characteristics in common. The structure of the songs invites performers to interpret and reinterpret them with different tempos and moods. The songs have a âtimelessâ quality, a resonance that inspires listeners to respond to them, and they refer to universal emotions and situations. Many of the Songbook songs are about love or heartbreak, such as songwriter Ray Nobleâs âThe Very Thought of Youâ and songwriter Arthur Hamiltonâs âCry Me a River.â Others evoke nostalgia, joy, celebration, optimism in hard times, and a multitude of other human experiences and stories.
Classic composers, lyricists, singers, and musicians of the Songbook
Among the important composers and lyricists whose work is included in the Great American Songbook are Duke Ellington, Jerome Kern, Harold Arlen, Johnny Mercer, Dorothy Fields, Hoagy Carmichael, Fats Waller, and Stephen Sondheim. Some composersâsuch as Irving Berlin, Cole Porter, and NoĂ«l Cowardâwrote both music and lyrics. Others worked in teams, one person writing music and one writing lyrics. George and Ira Gershwin, Richard Rodgers and Lorenz Hart, and Rodgers and Oscar Hammerstein II are three such famous partnerships.
Because of the enduring popularity of Songbook songs, any list of the singers and musicians who brought them to life is bound to be incomplete. Among the luminaries who have enlivened the Songbook are Ella Fitzgeraldâconsidered one of the greatest interpreters of the Songbookâas well as Fred Astaire, Rosemary Clooney, Nat King Cole, Sammy Davis, Jr., Judy Garland, Billie Holiday, Lena Horne, Dean Martin, Frank Sinatra, Mel TormĂ©, Andy Williams, Bing Crosby, Doris Day, Peggy Lee, Johnny Mathis, Al Jolson, Margaret Whiting, Louis Armstrong, Dinah Washington, Sam Cooke, Sarah Vaughan, and Nina Simone. Musicians have created dazzling instrumental versions of some of the songs, including John Coltraneâs interpretation of Rodgers and Hammersteinâs âMy Favorite Thingsâ and Thelonious Monkâs adaptation of Irving Caesar and Vincent Youmansâs âTea for Two.â
New interpretations and song contributions
During the 1970s, interest in the Great American Songbook began to return, starting with former Beatle Ringo Starrâs 1970 album Sentimental Journey. In 1972 Carmen McRae released The Great American Songbook, and country music singer-songwriter Willie Nelson put his spin on the standards with the 1978 album Stardust. Five years later Linda Ronstadt released the first of her Songbook albums, Whatâs New.
In the 21st century, enthusiasm for the Songbook has grown. Joni Mitchell, Carly Simon, Rufus Wainwright, Bob Dylan, Paul McCartney, and Lady Gaga (dueting with Tony Bennett) are just a few of the artists who have reinterpreted the standards. Several contemporary artists have built their careers on reinterpreting the Songbook, including Harry Connick, Jr., Diana Krall, and Michael Bublé.
There is no scholarly consensus on when the period of the Great American Songbook begins and ends. Some enthusiasts argue that the period ended in 1950, while others claim that it ended when rock and roll began to gain popularity during the late 1950s and early 1960s. Still other observers contend that songs that belong in the Songbook canon have been written in every decade since the 1960s and are still being written today. Like the older songs, these newer songs have structures that invite reinterpretation, but they also have a more contemporary feel. Songwriters who are mentioned for inclusion in this new stage of the Songbook include two partnerships: composer Burt Bacharach and lyricist Hal David and lyricist Jerry Leiber and composer Mike Stoller. Other âNew Songbookâ songwriters and performers mentioned for inclusion are Michael Feinstein, Carole King, Paul Simon, Joni Mitchell, Kris Kristofferson, Barry Manilow, and Billy Joel.
Enduring hits of the Great American Songbook
Among the best-known songs of the Songbook are the following.
- âOver the Rainbowâ by Harold Arlen
- âBlue Moonâ by Richard Rodgers and Lorenz Hart
- âAinât Misbehavinââ by Fats Waller
- âAs Time Goes Byâ by Herman Hupfeld
- âSummertimeâ by George Gershwin
- âMood Indigoâ by Duke Ellington
- âThe Way You Look Tonightâ by Dorothy Fields and Jimmy McHugh
- âSomeone to Watch Over Meâ by George and Ira Gershwin
- âWhite Christmasâ by Irving Berlin
- âAll of Meâ by Gerald Marks and Seymour Simons
- âFeverâ by Eddie Cooley and Otis Blackwell
- âI Left My Heart in San Franciscoâ by George Cory and Douglass Cross
- âMistyâ by Erroll Garner
- âRoute 66â by Bobby Troup
- âSentimental Journeyâ by Les Brown ad Ben Homer
- âThat Old Black Magicâ by Johnny Mercer and Harold Arlen
- âUnforgettableâ by Irving Gordon
- âWhat a Wonderful Worldâ by Bob Thiele and George David Weiss
- âPuttinâ on the Ritzâ by Irving Berlin
- âStormy Weatherâ by Harold Arlen and Ted Koehler
- âBegin the Beguineâ by Cole Porter
- âMy Funny Valentineâ by Richard Rodgers and Lorenz Hart
- âGeorgia on My Mindâ by Hoagy Carmichael and Stuart Gorrell
- âSend in the Clownsâ by Stephen Sondheim


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