Erik Axel Karlfeldt

Erik Axel Karlfeldt, detail of an oil painting by Carl Larsson, 1918; in Gripsholm Castle, Sweden.

Erik Axel Karlfeldt (born July 20, 1864, FolkƤrna, Sweden—died April 8, 1931, Stockholm) was a Swedish poet whose essentially regional, tradition-bound poetry was extremely popular and won him the Nobel Prize for Literature posthumously in 1931; he had refused it in 1918, at least in part because of his position as secretary to the Swedish Academy, which awards the prize.

Karlfeldt’s strong ties to the peasant culture of his rural homeland remained a dominant influence on him all his life. The peasants whom he portrayed are, as one critic put it, ā€œin harmony with nature and the seasonsā€; their culture is sometimes threatened by the erotic, anarchic Pan. Karlfeldt published his most important works in six volumes of verse: Vildmarks- och kƤrleksvisor (1895; ā€œSongs of Wilderness and of Loveā€), Fridolins visor (1898; ā€œFridolin’s Songsā€), Fridolins lustgĆ„rd (1901; ā€œFridolin’s Pleasure Gardenā€), Flora och Pomona (1906; ā€œFlora and Pomonaā€), Flora och Bellona (1918; ā€œFlora and Bellonaā€), and finally, four years before his death, Hƶsthorn (1927; ā€œThe Horn of Autumnā€). Some of his poems have been published in English translation in Arcadia Borealis: Selected Poems of Erik Axel Karlfeldt (1938). He was a beloved Neoromantic poet whose occasional artistic complexity was emotional rather than intellectual. In time, even some of his admirers criticized him for employing his gifts so exclusively in the service of a dying local culture.

This article was most recently revised and updated by Encyclopaedia Britannica.