Mari Evans
Mari Evans (born July 16, 1923, Toledo, Ohio, U.S.ādied March 10, 2017, Indianapolis, Indiana) was an African American author of poetry, childrenās literature, and plays.
Evans attended the University of Toledo and later taught at several other schools, including Purdue University in West Lafayette, Indiana, and Cornell University in Ithaca, New York. She began five years of writing, producing, and directing for an Indianapolis television program, The Black Experience, in 1968, the same year her first poetry collection, Where Is All the Music?, was published. With her second collection, I Am a Black Woman (1970), she gained acclaim as an important new poet. Her poem āWho Can Be Born Blackā was often anthologized.
Her later collections included Nightstar: 1973ā1978 (1981), whose poems praise blues artists and community heroes and heroines, and A Dark and Splendid Mass (1992). Continuum, published in 2007 (rev. ed. 2015), contains classic poems from Evansās previous collections as well as new work inflected by the same unique insight into African American life that defined her earlier oeuvre. In her works for young readers, Evans often touched on difficult topics such as child abuse (Dear Corinne: Tell Somebody, 1999) and adolescent relationships (Iām Late: The Story of LaNeese and Moonlight and Alisha Who Didnāt Have Anyone of Her Own, 2005). Evansās plays include River of My Song (produced 1977) and the musical Eyes (produced 1979), an adaptation of Zora Neale Hurstonās Their Eyes Were Watching God. She edited the anthology Black Women Writers (1950ā1980): A Critical Evaluation (1984) and published Clarity as Concept: A Poetās Perspective (2006), a collection of essays commenting on African American politics and family life.