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Irving Thalberg was an American film executive called the âboy wonder of Hollywoodâ who, as the production manager of MGM, was largely responsible for that studioâs prestigious reputation.
Born of German immigrant parents, Thalberg suffered from a weak heart and was plagued with health problems all his life. Told by doctors he wouldnât live past 30, the frail but highly intelligent and ambitious Thalberg lived and worked with an extraordinary intensity. He graduated from high school and worked for two years in the New York offices of Universal Pictures before going to Hollywood as the secretary to the company president, Carl Laemmle. At age 21 Thalberg became Universalâs studio manager.
When MGM was formed four years later, he was hired as the head of production with full authority to reedit any film. He shrewdly ascertained public taste and tightly controlled the studioâs output by supervising the selection of scripts, their revision, and the final editing of the films. The literary flavour of MGMâs products, e.g., The Barretts of Wimpole Street (1934), Mutiny on the Bounty (1935), Romeo and Juliet (1936), and Camille (1937), stemmed mainly from Thalbergâs influence. With Naughty Marietta (1935) he initiated a long series of successful musicals starring Jeanette MacDonald and Nelson Eddy. About the same time, he helped revive the Marx Brothersâ careers by producing two of their best comedies, A Night at the Opera (1935) and A Day at the Races (1937). Thalberg also acted as a liaison between the businessmen who controlled MGMâs finances and the studioâs directors. He supported the star system and discovered and developed many of MGMâs popular screen personalities, including his wife, actress Norma Shearer, whose career Thalberg directed.
Though he was a polite boss who commanded great respect throughout Hollywood, Thalberg was at the same time a driven businessman and a tough taskmaster. He had famous clashes with studio moguls Laemmle, Louis B. Mayer, and Sam Goldwyn and with director Erich von Stroheim. Some have claimed that the autocratic hero of F. Scott Fitzgeraldâs final novel The Last Tycoon was based on Thalberg. Quoted as saying âCredit you give yourself is not worth having,â the modest Thalberg would not allow his name to appear on any of the films he produced. After his sudden death from pneumonia at age 37, the Academy of Motion Picture Arts and Sciences, of which Thalberg was a founder, established the Irving G. Thalberg Memorial Award, given for excellence in production.
