Why does the central figure in The Third of May 1808 resemble Christ?

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In Francisco Goya's masterpiece, The Third of May 1808, the central figure is depicted as a martyr to emphasize the brutality of the execution and to champion the patriotism of the Spanish insurgents.123

The figure assumes a Christlike pose, a visual choice that serves to elevate the victim to a sacred status, highlighting his innocence and suffering at the hands of the faceless, uniform French troops. This religious symbolism is explicitly reinforced by the visible stigmata on the man's palms, which directly parallels the wounds of Christ. By utilizing this iconography, Goya transforms a scene of militaristic violence into a powerful, unapologetic piece of propaganda that honors the sacrifice of the Spanish people.132