Why did Arnold Schoenberg search for a new method of musical organization during World War I?

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During World War I, Arnold Schoenberg sought a new method of musical organization because he had moved away from the traditional basis of tonality, which he felt was being stretched and distorted beyond its capacity as a unifying structural principle.1

Having abandoned tonality in his earlier works, Schoenberg faced the challenge of controlling the vast harmonic and melodic resources at his disposal without a central key to provide structure. During the war years, he spent time meditating on how to resolve these structural problems. He aimed to discover a new principle of unification that would replace the old system, eventually leading him to develop the 12-tone method—a system where all 12 tones are "related only to one another" rather than to a focal point. This innovation provided the new basis for musical structure he had been searching for between 1912 and 1922.21