Which subjects did Jacques-Louis David paint during his exile in Brussels?

During his exile in Brussels following the fall of Napoleon in 1815, Jacques-Louis David continued to work within the Neoclassical tradition. His output during this period primarily consisted of two types of subjects:

• Portraits: He painted various local patrons and fellow exiles living in Brussels.1
• Mythological Scenes: He produced several paintings inspired by classical mythology, such as Cupid and Psyche (1817), The Farewell of Telemachus and Eucharis (1818), and Mars Disarmed by Venus (1824).1

These late works marked a notable shift in his artistic focus, moving away from the political and moral themes that defined his earlier career toward a greater emphasis on sensuality, psychological expression, and the complexities of human relationships.1