What musical textures are used in the Hallelujah Chorus from Messiah?

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Oil portrait of composer Georg Frideric Handel by Thomas Hudson, showing Handel in a red coat with gold trim, white wig, and holding a sheet of music. — George Frideric Handel George Frideric Handel, oil on canvas by Thomas Hudson, c. 1736; in the Foundling Museum, London.

The "Hallelujah Chorus" from George Frideric Handel's Messiah utilizes a blend of musical textures characteristic of the Baroque era. The choral writing alternates between two primary styles:

Homophonic harmony: Passages where chords support a single, dominant melody.
Polyphonic complexity: Sections featuring simultaneous, equally important melodic lines.

Additionally, the chorus incorporates a fugue on the phrase "And he shall reign" during its final pages, further showcasing the intricate contrapuntal techniques employed by the composer.1