What makes Raging Bull different visually from many boxing films?

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Martin Scorsese smiling in a tuxedo and bow tie, holding an Oscar statuette at the Academy Awards, with a gold Oscar statue in the background. — Martin Scorsese American film director Martin Scorsese, 2008.

Raging Bull (1980) distinguishes itself from many other boxing films primarily through its stunning black-and-white cinematography, captured by Michael Chapman.1

While many sports films of the era utilized color, Scorsese’s choice to film in black-and-white contributed to the movie's reputation as a "brutal but beautiful" essay on violence. Beyond its visual aesthetic, the film is noted for its meticulous re-creation of 1940s New York City, which serves as a gritty backdrop for the self-destructive life of middleweight champion Jake La Motta.1

Additionally, Scorsese is widely recognized for his signature use of the subjective camera to immerse the audience in a character's distorted perspective, a technique that enhances the visceral, psychological nature of his storytelling.2