What landmarks did Camille Corot depict in his topographical landscapes?

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Camille Corot: Portrait de l'artiste, assis près d'un chevalet — Camille Corot *Portrait de l'artiste, assis près d'un chevalet* (“Portrait of the Artist, Seated Near an Easel”), oil on paper pasted on canvas by Camille Corot, 1825; in the Louvre, Paris.

While Camille Corot is widely celebrated for his poetic and atmospheric landscapes, he also occasionally painted straightforward topographical works. In these specific pieces, he depicted buildings exactly as they appeared to him, rather than using the idealized or standardized elements found in his later Souvenirs.

Notable landmarks he captured in this manner include:

The cathedral at Chartres (1830)1
The belfry at Douai (1871)1

These topographical paintings represent a distinct aspect of his work, contrasting with his more famous, spontaneous oil sketches and his later, dreamlike compositions.12