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How does marriage represent ethical commitment in Kierkegaardâs Either/Or?
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Søren Kierkegaard
Søren Kierkegaard, drawing by Christian Kierkegaard, c. 1840; in a private collection.
In Either/Or, Søren Kierkegaard uses the character of Judge William to present marriage as the quintessential expression of the ethical stage of existence.1
While the aesthetic stage is characterized by a pursuit of fleeting pleasures and a lack of personal cohesion, the ethical stage requires a decisive commitment that transforms the individual. Judge William argues that marriage serves as the scene for this transformation in several key ways:1
- Temporal Continuity: Through the commitment of marriage, the individual moves beyond being a fragmented "bundle of events" and acquires a stable identity and continuity over time.1
- Ennoblement of the Sensuous: Marriage does not abolish the aesthetic or sensuous aspects of life; rather, it elevates them to the level of spirit.1
- Integration: By choosing the ethical, the individual integrates their life into a meaningful structure, moving from a premoral state to one defined by responsibility and social participation.1
Ultimately, marriage represents the transition from a life of aimless fascination to one of sustained, purposeful identity, where the self is fully realized through duty and commitment.1