How does The Burning of the Houses of Lords and Commons show the Romantic idea of the sublime?

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J.M.W. Turner: The Fighting Temeraire Tugged to Her Last Berth to Be Broken Up, 1838 — J.M.W. Turner *The Fighting Temeraire Tugged to Her Last Berth to Be Broken Up, 1838*, oil on canvas by J.M.W. Turner, 1839; in the National Gallery, London.

In The Burning of the Houses of Lords and Commons, J.M.W. Turner embodies the Romantic concept of the sublime by juxtaposing the terrifying power of nature with its radiant, aesthetic beauty.12

By depicting the destructive fire as a powerful, undefined mélange of gold, orange, green, and purple hues, Turner moves beyond a realistic representation of the event to evoke a deeper emotional response. This approach places the viewer in direct contact with the infinite and overwhelming forces of nature, a hallmark of the sublime. The painting’s departure from traditional, realistic visual depiction in favor of this intense, atmospheric expression highlights the artist's focus on the raw, elemental power of the scene, ultimately bridging the gap between reality and abstraction.12