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How did Wassily Kandinsky connect colors with the sounds of musical instruments?

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Wassily Kandinsky: Painting with Green Center — Wassily Kandinsky *Painting with Green Center*, oil on canvas by Wassily Kandinsky, 1913; in the Art Institute of Chicago.

In his influential treatise Concerning the Spiritual in Art, Wassily Kandinsky explored the expressive potential of colours by drawing direct parallels between visual hues and the sounds of musical instruments.1

He famously associated specific colours with distinct auditory qualities:
* Yellow: He compared this colour to the aggressive, earthly sound of a trumpet.1
* Blue: He likened this colour to the heavenly, deep sound of a pipe organ.1

Kandinsky believed that art should unite the inner world of feeling with the outer world of form and colour, viewing music as a key mechanism for achieving this connection. His theoretical work, including his time teaching at the Bauhaus, focused on the spiritual and psychological effects of these elements, pushing the boundaries of abstract painting through a methodical application of his theories.213