How did Raphael’s art influence Pieter Bruegel the Elder’s paintings of 1564 and 1565?

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In 1564 and 1565, Pieter Bruegel the Elder’s artistic style underwent a notable shift under the influence of Italian art, particularly that of Raphael. During this period, Bruegel drastically reduced the number of figures in his compositions. Unlike his earlier works, which often featured large, loosely disposed crowds, these paintings placed a few, larger figures closely together within a very narrow space.1

This stylistic adjustment marked a temporary departure from his typical multifigure scenes. However, this influence was short-lived; by 1565, Bruegel returned to his focus on landscape with his celebrated series, the Labours of the Months, in which he subordinated the figures to the grand lines of the natural environment.1