How did Giovanni Battista Tiepolo's use of color change in the Udine frescoes?

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In the frescoes of the Palazzo Arcivescovile of Udine, executed after 1726, Giovanni Battista Tiepolo reached a point of full artistic maturity. During this project, he moved away from the chiaroscuro style that characterized his earlier works. Instead, he significantly brightened his color palette while maintaining the integrity of his forms, utilizing bold brushwork to narrate complex biblical episodes.1