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Why were mystery plays suppressed in England after the Reformation?

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Ancient Egyptian illustration from the Book of the Dead showing Anubis weighing the soul of the scribe Ani, with gods seated above and hieroglyphic text throughout. — Western theatre Anubis weighing the soul of the scribe Ani, from the Egyptian Book of the Dead, c. 1275 bce.

Following the Reformation in England, mystery plays were suppressed due to a combination of shifting religious, political, and cultural factors:

Religious Suspicion: Mystery cycles and miracle plays were increasingly viewed as having Roman Catholic tendencies, leading the Protestant church to withdraw its support.1
Politico-Religious Propaganda: Religious drama became a tool for propaganda under successive governments. As these plays were adapted to mock the Catholic faith, they polarized audiences and incited riots, prompting authorities to intervene.23
Suppression of Festivals: The 1548 suppression of the Feast of Corpus Christi—a primary occasion for these performances—was a deliberate move to reinforce the new national church and diminish the influence of traditional religious drama.2
Changing Tastes: The church no longer found value in the plays, Renaissance scholars viewed their texts as rambling and uninteresting, and the public began to prefer professional traveling companies.1

By 1590, playwrights were strictly prohibited from dramatizing religious issues, forcing the theatre to pivot toward history, mythology, and allegory to address contemporary society.2