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Why did John Martin encourage George Balanchine and other Ballets Russes artists to move to New York?

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Classic performance — dance criticism Dance criticism analyzes all forms of dance, including classic pieces such as *Swan Lake*, to enhance the understanding of the art form.

In 1930, following the death of the impresario Serge Diaghilev, the influential American dance critic John Martin argued that Europe was likely no longer a suitable environment for the artists of the Ballets Russes.1

Writing from London, Martin encouraged George Balanchine, Serge Lifar, Alexandra Danilova, and Alice Nikitina to relocate to New York. He believed that the influence of America would provide a stimulating environment for their creative development. Furthermore, he anticipated that their presence would serve as a "bracing" challenge to native American dancers, fostering a more competitive and vibrant dance landscape.1

Balanchine took this advice and arrived in New York in 1933, eventually co-founding the School of American Ballet and the New York City Ballet, which became cornerstones of American dance.1