Why did Francophone African theatre draw on masks, mime, dance, and storytelling?

Modern Francophone African theatre incorporates traditional performance elements—such as masks, mime, dance, and storytelling—because practitioners view it as an imperative to rescue and reinvigorate these ancient, precolonial forms.1

By integrating these elements, artists aim to preserve cultural practices that are inherently popular and belong to the people. This approach allows theatre companies to explore the theatrical potential of ritual and make it relevant to contemporary concerns. Furthermore, this artistic exploitation of traditional forms exists alongside a sophisticated incorporation of European avant-garde influences, creating a unique theatrical landscape that facilitates a passionate critique of colonialism and neocolonialism.12