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Why are Ming dynasty reign marks not always reliable for dating Chinese lacquerware?
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lacquerwork
Imperial Chinese throne of the Qianlong emperor (reigned 1735â96), red lacquer carved in dragons and floral scrolls, Qing dynasty; in the Victoria and Albert Museum, London.
Ming dynasty reign marks are not always reliable for dating Chinese lacquerware for several key reasons:
- Imitations: It is often difficult to distinguish genuine Ming lacquer from high-quality imitations produced in Japan and other regions, which may carry false marks.1
- Spurious Production: During the 16th century, specific factoriesâsuch as those in Dali, Yunnanâwere known to produce spurious imitations of earlier works.2
- Inconsistent Application: Reign marks, such as those from the Yongle period, were sometimes applied by scratching them onto the surface with a sharp point, making them inherently unreliable as a definitive guide to dating.1
- General Practice: In the broader context of Chinese decorative arts, reign marks were frequently used inconsequentially. Unless a piece can be dated with reasonable certainty through other stylistic or physical evidence, these labels are often considered insufficient for accurate chronological placement.3
While some pieces bearing carved and gold-inlaid marks from the Xuande emperor may be authentic to that period, collectors and scholars generally caution against relying on reign marks alone to determine the age of a piece.1