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Which subjects were most often shown in Assyrian palace reliefs?

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The Great Ziggurat of Ur in Iraq, a massive ancient brick structure with broad staircases and terraced levels, stands alone in a barren landscape. — Mesopotamian art and architecture Ziggurat at Ur (modern Tall al-Muqayyar, Iraq), constructed c. 2100 bce.

Assyrian palace reliefs were primarily designed to glorify the king and document his achievements, rather than to depict religious subjects. The most frequently shown themes include:1

Military Conquests: Detailed, episodic narratives of war, including preparations for battle, attacks on walled cities, the suppression of revolts, and the celebration of victory.1
Hunting Scenes: Kings are often depicted hunting animals such as lions, wild asses (onagers), and gazelles, which served as a popular alternative to military subjects.1
Ceremonial Homage: In some periods, such as the late 8th century BCE, reliefs featured stiffly arranged files of courtiers, officials, and servants engaged in the routine of courtly life.1
Guardian Figures: While not always part of the interior wall friezes, colossal portal sculptures—often human-headed bulls or lions known as lamassu—were essential features of palace architecture, serving to guard the gates and exude the king's power.12

These reliefs are noted for their stylistic vitality, careful observation of animals and men, and the use of episodic repetition to convey complex historical narratives.1