What movement order was typical of a Baroque sonata da chiesa?

The typical movement order for a Baroque sonata da chiesa (church sonata) was four movements arranged in a slow–fast–slow–fast sequence.123

These works were generally characterized by a serious mood and a contrapuntal texture, often featuring fugal writing in the faster movements. While this four-movement pattern became standardized toward the 1640s and was consistently employed by composers such as Arcangelo Corelli, the distinction between the sonata da chiesa and the secular sonata da camera was not always rigid, and some cross-fertilization between the two styles occurred over time.13