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What evidence shows the early Korean influence on Japanese lacquerwork?
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lacquerwork
Imperial Chinese throne of the Qianlong emperor (reigned 1735–96), red lacquer carved in dragons and floral scrolls, Qing dynasty; in the Victoria and Albert Museum, London.
The influence of Korea on early Japanese lacquerwork is well-documented, primarily through the historical transmission of techniques and specific artifacts from the 6th and 7th centuries CE.
Evidence of this early influence includes:
- Introduction of Technology: The manufacture of lacquer was brought to Japan from China via Korea in the middle of the 6th century, coinciding with the introduction of Buddhism. Tradition also holds that the Chinese lacquer tree was introduced to Japan at this time.1
- The Tamamushi Shrine: The earliest piece of lacquer accepted as having been made in Japan is the Tamamushi Shrine, located in the Hōryū-ji. Attributed to the 7th century, this artifact displays strong Korean influence in its design and execution.1
- Artisan Migration: During the Asuka period, Korean artisans skilled in various fields, including those necessary for producing Buddhist iconography, immigrated to or were brought to Japan in significant numbers, establishing the foundations for Japanese visual arts.2
While early Japanese lacquerware was heavily influenced by these continental methods, a distinct Japanese national style began to emerge by the 8th century, eventually moving away from the methods imported by Buddhist missionaries.1