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How were the forms of Chinese bronze vessels related to earlier pottery forms?
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Chinese bronzes
Bronze gu from Anyang, Henan province, China, Shang dynasty (c. 1600ā1046 bce); in the William Rockhill Nelson Gallery and Mary Atkins Museum of Fine Arts, Kansas City, Mo.
The forms of Chinese bronze vessels were deeply rooted in the earlier pottery tradition, serving as both an aesthetic and technological extension of that medium rather than a replacement.1
The relationship between these forms is characterized by the following:
- Direct Derivation: Many round-bodied bronze vessels were directly derived from earlier ceramic prototypes. For example, the liāa cooking tripod with a trilobed baseāfeatures hollow legs that were already being produced by Neolithic potters using ceramic molds and cores.21
- Technological Continuity: The sophisticated sectional piece-mold casting process used for bronzes was an adaptation of the high-heat ceramic technology already mastered by earlier potters.1
- Square-Section Vessels: While round vessels often mimicked pottery, square-section vessels are thought to have derived from containers made of other materials, such as carved wood or bone, rather than pottery.2
- Evolution of Style: Early Shang bronzes were often thin-walled and simple, clearly reflecting their ceramic origins. As bronze casting technology advanced, later vessels moved toward greater sculpturesque monumentality, eventually utilizing the full potential of the metal medium while maintaining the foundational shapes established by the ceramic tradition.21