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How were bronze bands on the gates at Balawat decorated?

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The Great Ziggurat of Ur in Iraq, a massive ancient brick structure with broad staircases and terraced levels, stands alone in a barren landscape. — Mesopotamian art and architecture Ziggurat at Ur (modern Tall al-Muqayyar, Iraq), constructed c. 2100 bce.

The bronze bands decorating the gates at Balawat were created using a repoussé process, a technique in which the relief is hammered out from the back of the metal.1

These horizontal bands, which measured 11 inches (28 centimeters) in height, featured a double register of narrative scenes. The subjects depicted on these bands were similar to those found in Assyrian stone reliefs—primarily focusing on military conquests and historical achievements—but the artists demonstrated significant ingenuity in adapting these complex designs to fit the confined space of the metal bands.1