How does call-and-response singing work in Eastern Woodlands dance songs?

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Native American dance Aztec round dance for Quetzalcóatl and Xolotl (a dog-headed god who is Quetzalcóatl's companion), detail from a facsimile Codex Borbonicus (folio 26), c. 1520; original in the Chamber of Deputies, Paris, France.

In Eastern Woodlands Native American music, call-and-response is a defining stylistic element used in many dance songs.

The process functions through an antiphonal structure where a designated leader sings a short melody as a solo. This leader is then answered by the dancers, who sing in unison. This alternating pattern between the soloist and the group creates a distinct texture that is relatively rare among other North American Indigenous musical traditions.1

These songs often accompany various ceremonial and social events, such as the Green Corn ceremony or Iroquois Longhouse gatherings, and are characterized by a relaxed vocal style that emphasizes the middle of the singer's range.1