How did William Klein’s approach to photographing people on the street differ from Henri Cartier-Bresson’s?

The approaches of William Klein and Henri Cartier-Bresson to street photography represent distinct philosophies regarding the photographer's presence and the nature of the image.12

• Henri Cartier-Bresson: He sought to be a "silent, and even unseen, witness," often using a Leica camera modified with black tape to remain inconspicuous. His work was defined by the "decisive moment"—the pursuit of a single, perfectly composed image where the subject's essence is revealed with brilliant clarity. He aimed to capture the meaning beneath outward appearances through precise organization of forms.12

• William Klein: In contrast, Klein employed an "aggressive style," confronting his subjects head-on. Rather than seeking the unobtrusive, spontaneous capture favored by Cartier-Bresson, Klein challenged traditional aesthetics by using unconventional perspectives, grainy prints, and capturing blurry forms in motion.2

While Cartier-Bresson focused on achieving a "perfect masterpiece" through patience and immersion, Klein’s approach was more confrontational and provocative, intentionally breaking from the "straight photography" aesthetic that prioritized basic camera capabilities and clean, traditional compositions.12