How did Vincent Eri use myths and magic in The Crocodile?

In his novel The Crocodile (1970), Vincent Eri incorporates traditional myths, legends, and tales of magic to provide readers with a deeper understanding of the spiritual world within precontact Papua New Guinea society.1

By weaving these elements into his narrative, Eri illustrates a village environment where the sacred and the secular coexist, effectively bridging the gap between traditional oral culture and the written form of the novel. This integration allows the author to authentically represent the worldview of his characters, grounding their daily experiences in the rich, supernatural traditions of their heritage.1