How did Merce Cunningham use online chats to communicate with audiences?

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In the context of dance criticism and the evolution of media in the 21st century, Merce Cunningham utilized the Internet to engage directly with his audience by hosting online chats every Monday.1

This practice allowed followers to consult the choreographer directly, serving as a notable example of how dance companies began leveraging websites to provide a wealth of information to the public. This shift toward electronic communication was part of a broader trend in the dance community, where the explosion of available information—ranging from professional blogs to company-run websites—made dance discourse more accessible than ever before.1